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Tatiana Chaterji

Blessed

hell/cop/tar

Dust Mirror Corridor

lock up your valuables the summerprogram will be using your room

I (did not) Choose This

January 1st

Saturn's Return

Almost ok mom

Coma / Nest

Carta del Perdón

Matribhasha

Hurt, Elated: A Bilingual Ars Poetica

Blessed

Contrapuntal for the Young Women of East Oakland

I’m in my era of calm, she says        skin gleaming deep almond and rose
the blue encircling her hair               under the kitchen lights before the circle begins

streaming surrender                           I’m blessed, the talking piece a stone 
rippling tranquility                            smoothed by mountain waters, and highly favored 

on the cusp of her 18th birthday        second anniversary of her brother’s murder
clear-eyed love for self                      third loss in as many years, blistering trauma-heart                      

choosing to forgive, to shed              weights stacked heavy and deep
offloading at this shore                      cool against intruders trying to claim her body

peeling tendersoft fruit                       childboy-neighbor beating steady his pain  
stories childcare pizza                        onto others across a floor of brokenness              

shards of empty longing                     cling tough protect safeguard breaking open 
shivering and held                              in flight 

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hell/cop/tar

The helicopters have been circling overhead for twenty minutes, outside, inside my toddler screams inside my head rattling inside my abdomen aching, menstrual cramps, today it started, today a dozen police cars down the block. Folding laundry try to ignore the panic rising, inside, close the window in the bedroom but it doesn’t matter, old house, sound leak, it’s inescapable the whirring, the incessant chopping of air. The ceiling light makes me feel as though the walls are closing in so I shut it off, struggle through dimness to put clothes away. Move to the living room to ease my nerves, the bright cool turquoise paint the wall of books the protest art. Breathe. Remove my socks, feel the soles of my feet on the floor. Regain my center, the roots and tree trunk, filling my lungs, the floating organ, lush and free. Then the megaphone booms, outside, echoing, broadcasting the manhunt for a Latino male wearing a blue soccer jersey, describing every third person on the street here in Little Guatemala, stomach squeezed chest tight. Wanting to cover myself with blankets, breathe, again. Soon my husband will be home soon we will make lentil soup, his mother’s recipe, carrots, bright from the garden. Ash falls from the sky, sludge into resoluteness, grit and bear and overcome. Turn on the six o’clock news from the independent radio station, wait until he gets here, toys from carpet corner to shelf blocks and dolls in their cubbies shoes by the door. Busy these hands, fast, clean, clear, this space a sanctuary. Hearing news of student uprisings against the slaughter of Palestinians, that snipers pointed at protestors at Iowa University, flood with salt tears my face tired, this grief old, this dusty rage. . Tired, this grief, this dusty old rage. From Occupy to Ferguson to George Floyd, this coiling from the sky, this loud display of state power, fear stress adrenaline disquiet. 

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Dust Mirror Corridor

On the corner of 35th Avenue and East 16th Street in Oakland the borrachos hang off the steps, blurred tough with age and drink 

Ysabel’s face shines on the mural where candles flicker and balloons float  
Street shrine 
An overdose
Probably fentanyl 

An old man flattens metal under his boot, a faded green tshirt announcing “the future is bright” across his chest as children in white and blue uniforms walk with ribbons in their hair, spiderman and super kitties backpacks sidestepping trash and pavement bumps from the screams of tree roots underneath 

Ghosts and dreams dance together a hollow wind a tunnel and 
portal the maps have been written new 
scratches and footfalls 

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lock up your valuables the summer program will be using your room

scene:                          threshold of a special education classroom in a public high 
                                    school in the first week of summer vacation. custodial staff can be heard                                     down the hall, the scrape of metal desks as they prepare to wax the floors.

at rise:                          two teachers stand at the doorway in front of a large 
                                     garbage can. one throws books into it, stacking them to the brim, heavy,                                      dust from the pages floating in the sun-stained air. not zealous, he is clear-                                      headed and focused. the other winces each time she hears the thwack of                                      another tome on top of the pile. she wrings her hands, sighs, and paces,                                      pained by the task in front of them.

dont worry theyre not going into the trash 

                                      what are you talking about 

its recycling makes me feel better about it 

                                       oh yeah they sort it at the facility

i didnt know that 

                                      thats not the problem this hurts this is wrong 

its not that bad
                                      yes it is you just dont get it

of course i get it im the english teacher 

                                      but in my culture 

and i dont need them 

                                      books are sacred 

i promise 

you never put books on the floor

except for the williams audit 
                                      you apologize to the goddess if you drop a book or 
                                      accidentally brush your foot against one 

nobody reads books anymore 

                                      this is a school

i know its crazy right 

                                      youre putting daggers in my chest 

do you want to stop 

                                      no i have no other choice i need storage 

i did this with the librarian last week

                                      really how many

almost the whole collection

                                      in the trash just dumped 

recycling remember

                                      instead of donating 

its too much to coordinate and some are out of date 

                                      how is this real

we were helping her she needed help 

                                      what happens now with no books in the library

shes getting new ones 

                                       i thought you said nobody reads books

well its both and if i need any of the old ones she can get them for me

                                      the thing is they symbolize knowledge 

lets fill these boxes and put them on the cart

                                      knowledge is from god

we can roll it up to the bins

                                      so im disrespecting god do you understand 

i love these books they are my heart okay

                                      fahrenheit 911 catcher in the rye  autobiography of 
                                      malcolm x

flowers for algernon persepolis shakespeare i know why the caged bird sings 

                                      this is impossible   

just breathe 


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I (did not) Choose This

there is a web, my heart at one point 
threading to yours and the small rubies 
beating in their chests, our children their
vigorous fast brightness pumping life
into the dread pinched stress frown furrow 
from surviving. somehow, strong, I know 
I built the constellation entered
myself into it and when it works 
we move as one. respond to “ma” or
“papi” interchangeably protect
nourish comfort. from your eyes I catch
the string pull it forward into nap
time bath time snack laughing discipline
measured or furious, clutching the
lonely thirst of thin nerves, together
face flat tired. sticky glue tempers run 
short but the shape of this thing is full –
meshed wire a blanket encasing my 
love, cool streams across rock-jumps

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January 1st

The new year tastes like juicing citrus with my small children 
Drag grandma’s mystery box from Christmas to the kitchen 
Hold their breaths Which color will it be? Wait for the slice of blood
Red, golden sun, or dusky pink 

Squeeze with all their might to collect the bright nectar 
Twist and splash This is pulp! Fluorescence on the floor
Slurp through threads in our teeth the tangy sweet sharp
Rising of hopes as orange crescents pile on the counter 

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Saturn's Return

she carves the lotus sutra on stone tablets, white 
under sunwashed wind – her sisters look on from afar
their icy crowns at the top of the world, spinning 

each ridge a dream from mangled road scraps of effort 
the partial success and half smile, ice on forehead breathing
between sips of hot-tongue tea. later she will weep into her cha

milk salted quivers before she steadying herself, standing 
from falling to collapse again, storm channels beneath skin 
she feels the sea, knows its churning, steep brewed

cliff and the nectar that awaits.  


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Almost ok mom

at first it was a flash of red before my eyes 
the blood dripping
the neck slashed

I buried the red, covered the flash beneath layers of soil 
and survival
what it means to stay in this family

it crawled up, wormed its way from below until it burst 
like another explosion
trampled tomato, pepper flakes in your lungs 

the betrayal stuck to me or I held onto it
I don’t know which, the torment 

if: I clutch this hurt: maintain the grudge
then: the pain: confusion: bitter stones in my chest 

if: I resent her, Nelson Mandela teaches
then: I drink the poison: expect her to suffer

           I want to love her, punishment is not love 

if: I forgive
then: the surrender: acceptance: calm

           quiet the churning ocean, drink the sweetest nectar

I trace the peaks of the Kanchenjunga with my finger 
rising and falling each dip a step backwards each ascent a bright hope 

I am walking this jagged edge
           I will get there

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Coma / Nest

For ten days a baby bird 
remains in the nest 
her mother has built

For ten days I remained in the coma
Its crisis burrowing me deeper within
the protective circle my mother had built 
and held me in
for twenty-two years  

                                     It broke, as all perimeters do

The bird was me –
infant wind-boned creature 
before flight 

Twenty-two years collapsed
into ten days
in the coma nest
so I could bear 
                         free the 

                                 weight

                         of the universe 

                                                                           Soaring

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Carta del Perdón

– for Nano, with a line by Hari Alluri

My students have fifteen minutes to write a letter of forgiveness, to put into practice their understanding of círculos de sanación. I will take these minutes and do the same, what I haven’t done in all these years. My co-teacher says: this is for you, an act of self-love. Get everything out. Describe what you need to heal. And then, forgive them. 

You cared for me
            I understand
Sweet playful passionate profound
            Yo entiendo 
Young love where the ground disappears the way you lift up from it
            I know 

When I was hurt you were shocked, traumatized 
            I hear this and your guilt, also 
That it was the hardest thing you had done, to let me go
            That when I came back I was still gone from within you

My mother scared you, hissing growling at your feet
            I still cringe
Moving from fear and instinctual protection
            The sting lasted longer than I knew possible: 

                                                                                    a breath of gratitude, here
                                                                                    to touch the underside of a wound so human

I forgive you for drifting off and leaving
I release the pain of your abandonment, its sharp and bitter loss
I am unsnagging these threads of hurt –
Between petals of morning glory and strangle, cut away, cut away.
Pulling them out I roll them between my fingers, forming a ball
lilac and soft the wind carries it past by face and I gather the remaining
yarn string bits of being, loose underneath the sky. Pack them into 
my shape, cords of strength, tight cylinder packages, 
batteries and light bulbs. 

Unburdened, alive: my spirit cleansed and free

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Matribhasha

on Mother Language Day 2025 after Mahmoud Darwish’s “I Come from There” 

This place, etched delicately on my heart 
So that it is its second side, an underside I forget 
While I’m away. This place like the back of my hand
Against mud walls ten feet thick where ten generations
Of my people have lived encircling water buffalo
And rice silos. I have my own view faraway window 
Green railings and ropes of banyan. Mine is the net
And freshwater fish. Mine is the midnight raag and cloud
Song, curves against teeth, nose of honey, soft.

I come from there. I render the earth unto her mother
When the red clay cracks for her mother.
And I crack to make myself known 
To a returning underground stream. 
I learned all the words from the colonizer’s tongue
Perfected this language of power to flatten and reshape
My mouth around the origin, ancestor, heart: Bhasha . . .

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Hurt, Elated: A Bilingual Ars Poetica

Two-Tongued Kobitar Shilpo 

In Bangla, “word” is
shobdo, শব্দ, which also 
translates to “sound” or 
“noise.”
                                                Words are sounds, of course, and
                                                strings – running after each other
A trail of crumbs  light 
posts in the dark   wind in 
spirit caves   hope’s mirror 
an airplane out of here
                                                How else do we survive  
                                                unstoppable cruelties
                                                chains at our necks   
                                                day after day? 
Bearing this weight, toast
ullash! defy foreignness 
this custom home
grown with cane sugar drink 
                                                clink-clink: উল্লাস linger 
                                                long your tongue around the double 
                                                “l” before releasing it to the sky
Ululate, intransitive verb: 
to howl or wail with strong
emotion, typically 
grief.                                       Or: in celebration 
                                                before weddings 
                                                the women trilling
To emit a loud cry. 

                                                High-pitched ululul pierce 
                                                the air ecstatic 
Synonyms: roar 
growl  bark  bellow
clamor
                                                From the Bangla, ullash, for which no 
                                                parallel exists in the English 
                                                language (not even close, don’t 
                                                bother trying): unbridled joy 
From the Latin,
ulula: screech 
owl 
                                                When Durga visits 
                                                at pujo kaal thrusting 
                                                against the roofs 
                                                of mouths 
Birdsong night tremolo scan 
the sky, neck nearly three 
hundred degrees in rotation 
                                                delighting
                                                in her arrival divine
                                                on earth 
All-seeing vigilance when 
I was a meye my mom told 
me she had eyes 
in the back of her head
                                                Maa Durga, eternal 
                                                mother
She could see everything, all
mothers can. Blame them
selves when the child is hurt – 
                                                Protection is love is the under
                                                side of pain. The poet unearths 
                                                both, a brook                                                  
Stones over water 
carrying us across
the treachery of this 
world. 

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Living with a traumatic brain injury from community violence and grieving the loss of too many students to the same, Tatiana Chaterji writes to set free the cycles of healing we need for freedom. She is an emerging writer, mother of two small children, conflict worker, educator, restorative justice practitioner and theater-based healer based on Ohlone land in Oakland, CA. Her essays and poems are featured in Seventh WaveIndianapolis ReviewRise Up ReviewThe Rush, Panorama, and Voicemail Poems. Learn more at www.tatianachaterji.com.

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